Ten years ago I fell in love with Julia Glass’ writing. It was a rainy day and I was in Positano, Italy, looking out over the aquamarine Mediterranean and delighted to have survived a white-knuckle drive along the Amalfi Coast. I curled up with Three Junes, a book I’d been meaning to read for a long time, and fell in love with the writing. Most notably I was pulled into the stories, loved the characters, and grieved for the one of the main characters, Malachy Burns (who was dying of AIDS) and his beloved friend, Fenno McLeod (who lovingly cared for him). I look forward to each new Julia Glass book and enjoy her storytelling and how she weaves stories, characters, and places together. It’s like canoeing down a meandering stream, encountering interesting people along the way, and enjoying the journey as much as the moment.
I was delighted when Malachy and Fenno popped up in Glass’ new book, And the Dark Sacred Night. Once again readers are taken on a journey and details are not shared until Glass is ready to share them. The book begins with the main protagonist, Kit Noonan, and a view into his stalled life. Kit is an unemployed art professor who is struggling in his roles as husband, father, and (not by choice) person designated to manage his household. When it’s obvious he must be jarred from his rut, his wife’s wish for a separation serves as the catalyst to send him on a journey of personal discovery. The journey begins in Vermont at the home of Kit’s Stepfather. From there readers are propelled through time and memories in a story woven together in classic Julia Glass style. I was sad when the story ended, but enjoyed the journey and always appreciate a great story!